Sleepy Hollow - 2x04 Go Where I Send Thee... - Review

Time to pay the piper

After discovering that Ichabod has been taking driving lessons behind her back, Abbie gets called in to work a missing child's case. During the search they once again encounter the rogue, Hawley, who is searching of a flute made out of bone. It is then that Ichabod learns that the monster they are facing is none other than the pied piper.

This show continues to excel with their two leads, unlike another show that airs before them. The chemistry between Abbie and Ichabod is impeccable and definitely the best thing about this show. And it is put on display after the first cold opening by having Ichabod recite an ominous speech that turns out to be nothing more than him talking about driving a car. It may seem like a comedic moment and will come in use later, but it was also an effective way to show that Ichabod is growing as a character. Probably not at the rate that Abbie wishes he would and Ichabod definitely does want to acclimate so quickly, but it really shows how far the two of them have come. But in true Sleepy Hollow fashion, there always has to be something going on in town. And this week is no different.

Here we get our first monster of the week episode. That monster being the legendary pied piper. In this one he was a mercenary who made a deal with the demon, Moloch, in order to grant him incredible fighting abilities. And as a bonus he cause use his musical skills to lull his enemies into a trance like state, making them easier to kill. Of course no man who makes a deal with a demon can live without some tragedy. That tragedy involves being killed by a man who hired him during the revolutionary war, in order to hide the fact that he may have been a sympathizer with British. That decision will cause the pied piper to turn into the monstrosity that he is today. And so he returns to haunt his murderer's descendants by claiming a child from each generation after reaching the age of 10. After all, the pied piper needs to change his flute every now and then. The Pied Piper is probably one of the most fascinating creatures to appear on the show, and has to be given that he is the monster of the week. It also helps that he is a martial artist who fights with a bo staff made of bones that is essentially a gigantic flute. He proves to be a formidable opponent and a highly entertaining one.

But really at the core of this episode is facing an almost unwinable situation involving the Lancasters, the family that is cursed to pay tribute to the Pied Piper. The missing girl's mother knows that if the Pied Piper does not get what he wants, then the current generation of children in town will suffer a painful death through a disease. If it weren't for Abbie and Ichabod, this situation would've been difficult for the Lancaster matriarch to handle as she would have no choice but to allow her child to be killed in order for all the other children in Sleepy Hollow to live. It is a situation that no one ever wants to be in, but luckily this show has heroes who will always try to find a way to beat the unbeatable odds. Well, most of the heroes that is.

We are once again introduced to Nick Hawley, who is really being pushed as this character who is going to be important later on. He is pretty much the foil to Ichabod. Both extremely intelligent and well versed with folklore. The difference being one wants to do the right thing while the other will only do so if it gets him what he wants. And what Nick wants is the Pied Piper's bone flute. I'll be honest in saying that I'd be more interested in Nick if he didn't dressed like Nathan Drake from the Uncharted games. I'm not joking, he's wearing the exact same clothes as Nathan Drake. So much so that it is almost distracting. However it does automatically tell you what kind of character he is, if you are aware of the iconic status of his mode of dress. But again, it is really obvious that the writers are pushing this character as a way to shake things up in the show. I'm not entirely sure how I feel about this new addition, but hey, he might be useful. Unlike those other male side characters they've had in the previous season. Time will tell.

This has been a fairly entertaining episode, especially since it is the first monster of the week episode of the season. This show continues to excel with the craziness as well as the moments with heart. But it is definitely the craziness factor that has this show standing apart from everything else right now. Especially when there are moments like the one pictured here. Things are not going so well for Captain Irving, but in his vision of the future, he seems to be doing well. And it all ties in to that blood pact he unknowingly made with Henry, The Horseman of War. He apparently becomes an incredibly efficient killing machine under War's guidance. It is moments like this that really propels my interest in the show and will definitely have me tuning in for the next one.

SCORE: 8.5/10 - The standard "monster of the week" episode, but still good

STATUS: Continue to watch - It is Halloween after all!

Review of Previous Episode - Click here

Gotham - 1x04 Arkham - Review

And the war continues to escalate

As members of Falcone's and Maroni's political branches are being taken down by an assassin, Cobblepot makes his return known to Jim Gordon. Elsewhere, Fish Mooney has a talent search for a new, "weapon."

This episode once again revolves around another staple of Gotham City: the Arkham District. There is a political struggle over what to do about the district and the asylum that will one day become an important part to the myth that is Gotham. And that struggle is between reigning kingpin Carmine Falcone and his rival to the throne, Salvatore Maroni. I'm not quite sure about the details for The Arkham Plan or the major politics behind it. Probably because I didn't really care. Which is really starting to become a major recurring theme coming with the case of the week stories. But there is someone who does care about what is happening to Arkham and how it effects the oncoming war between the two bosses: Oswald Cobblepot.

Robin Lord Taylor is definitely the standout of this series. As much as I enjoy watching Ben McKenzie and Donal Logue as Jim Gordon and Harvey Bullock, I can't help but feel a lot more excited when Taylor's Oswald Cobblepot is onscreen. It speaks volumes if the most interesting character in the series and probably the most interesting overarching plot of the series revolves around a minor character and a minor sub plot. That is how good this guy is and I can only hope that this series goes to continue to show off his talents and grow his character. It is strange that out of all the Batman villains this show has hinted or shown, he is the one who is the most fascinating. It is probably because we are intrigued by how this character eventually becomes The Penguin. In here we see his character grow in ways that we know will lead him to become the notorious Batman villain he will be. At the beginning of the episode he is just a lowly worker at Maroni's restaurant, but by the end of the episode he becomes the restaurant's manager through a brilliant display of manipulation he planned. If anything, he is the primary reason to keep watching the series. Which is saying something considering I'm talking about him first rather than the main plot of the episode.

And that main plot involves the two people who are suppose to be our heroes: Gordon and Bullock. I keep wondering why is it that as of lately I'm not really that invested in what's going on with them? I remember in the Pilot they were these two extremely fascinating characters who are forced to work together. That was great television! But then for some reason it just seem a little bit repetitive with them fighting over the same thing. And while it seems unfair to complain about repetitiveness in a procedural show when Sleepy Hollow has an almost repetitive nature between their two leads, at least Sleepy Hollow benefits by having a really off the wall character like Ichabod against a really sassy yet grounded character like Abbie. In here you have the makings of a great relationship between good cop and crooked cop. THERE IS A LOT THAT CAN BE DONE WITH THAT! Yet for some reason they both seem to be stuck in this repetitive nature that really started to show itself in the previous episode. At least in episode 2 there was some sign of character development, and it was very little. Yet that very little shows that having a some type of character development can hide the repetitive nature that is all the episodes.

That doesn't mean there is no character development in the show. It just comes off as almost annoying or not needed right now. And that character development for Jim falls into the hands of his soon to be wife, Barbara. In this episode she starts questioning Jim about Oswald, to which Jim quickly puts the pieces together that Montoya has been planting seeds of doubt into Barbara. At that moment, Barbara lets it out of the bag that the was a lesbian before she met Jim and that Montoya was her girlfriend. This was a revelation that the audience knew could not stay hidden for long, but at the same time it felt like something that should've been addressed in the last episode. It really is about the question of trust in their relationship. The fact that it is falling apart so soon when the audience have yet to see any good from it, really makes this fallout to be as powerful as it should be. You will feel sorry for both of them, but it is the way that friends would feel sorry for one another when something bad happens just because friendship obligates them to feel sorry. It could've made for a great development moment for these two, especially for Erin Richards' Barbara. But in the end it really seems to not matter in the grand scheme of things.

There is a minor subplot that has been speckled throughout the episode involving Fish Mooney. She's been having girls audition to be singers for her night club, but she seems to be looking for someone who can be more than just a singer. Mooney asks both singers to try and seduce her if they want the job. One who is obviously the more talented singer does not seem to possess the powers of seduction, while the other is not a fairly talented singer yet has the right stuff. While the answer as to who Mooney should hire is pretty obvious, she does the most Gotham thing to do when it comes to making big decisions. Have the two girls fight each other until one is left standing. And in the end the one that is left standing, is the one the audience knew was going to be her pick no matter what. Was this just a ploy to see if Mooney's pick is really willing to go the distance? Or is it because this is Gotham City, every decision made has to be done in the most cruel way possible. The subplot doesn't really reveal why is it so important for Mooney to have this girl in the war between Falcone and Maroni, but I can only assume it has something to do with her using the girl as a honey trap. If you don't know what that means, it involves sex and murder. 

This is another by the numbers episode with a fantastic story in the form of the Cobblepot plot. I really hope that this show regains the awesomeness of its two leads that was shown in the first episode, because if the writers can accomplish that, then this show will be incredible. But for now it seems to be Cobblepot is running Gotham, the show, while trying to run Gotham, the city.

SCORE: 7/10 - That 7 belongs to the Cobblepot plot and the brutal American Idol bit

STATUS: May continue to watch - I went over my 3 episode hump, but it seems this show may lose me eventually

Review of Previous Episode - Click here

Sleepy Hollow - 2x03 Root of all Evil - Review

"Benedict Arnold"

In this outing of Sleepy Hollow, The Horseman of War starts seeding the destruction of the small town with cursed coins that turn people against what they love the most. When Jenny learns that the new sheriff may be responsible for her mother's death, it doesn't take too much persuasion from a cursed coin to set her on her path. The only hope for Ichabod and Abbie to discover the origins of the coins and how to contain it may lie with a new ally, Nick Hawley (Matt Barr).

It's not a monster of the week episode but rather a "problem of the week" episode. This episode deals with money. Cursed money to be more precise. When Abbie sees a local bank teller lose her shit at her job and starts wanting to rob people, you know that something is definitely wrong. It turns out that Henry, The Horseman of War, has been making a few deposits a the bank. Deposits of coins that have the strange ability to make people go crazy. And to top off the craziness, apparently Ichabod remembers a mission he had with Benedict Arnold to destroy a forge for counterfeit money. Yes, that Benedict Arnold. The most famous traitor in American History. Turns out he didn't betray America out of moral or political reasons. He betrayed because of a cursed coin. A coin that happens to be in the forge for counterfeit coins. And now those coins are in the town's money circulation. Just another normal week in Sleepy Hollow. 

While this episode is very problem of the week, the character focus of this episode is given to the sister relationship between Abbie and Jenny. While the two of them had spent the entirety of Season One to learn to trust and acknowledge their love for each other, the arrival of Sheriff Reyes puts another strain on their relationship. We learn that it is indeed Sheriff Reyes who put their mother in prison, as well as testified to her being insane. While Abbie was aware that Sheriff Reyes knew their mother, she wasn't aware of this knowledge. Jenny is surprised that Abbie simply brushes it off as, "she was just doing her job," and not thinking that Sheriff Reyes putting their mom in jail cost her life. It seeds the fallout between the two, which is convenient timing as there just happens to be a coin that'll send that bitterness into overdrive. While it is great that we're exploring more of Abbie and Jenny's backstory, it does seem kind of early to bringing back the, "I don't trust my sister," card. Especially given that this is the third episode. I'm sure we all know that it will be resolved in the end, but how Ichabod and Abbie find out on how to do that exactly leads to the introduction of a new face.

Enter Nick Hawley, who fans seem to be immediately comparing to Han Solo. And how can they not? Matt Barr just oozes a devil may care charm in his portrayal as Nick. He's a treasure hunter of sorts, collecting rare items and has a vast amount of knowledge that could very well rival Ichabod. And from the looks of things, he is pretty much set up as Ichabod's foil. It is interesting to see a character who knows all the facts, but does not believe the magic part. Which makes for a very playful antagonistic nature between Nick and Ichabod. But luckily for the audience, and to our relief, he buys into the magic thing right away. However he doesn't seem too much in awe of the presence of the supernatural, but rather as another form of knowledge he needs to learn if he's going to collect things. Because after all it is he who knew that there were 30 of these coins and they originated from Rome. In other words, these coins belonged to Judas, probably the top on the list of world's famous traitors. He does add a new flavor to the show, one that I think can add some interesting dynamics. Especially given his past with Jenny. It is unclear if he is really on Ichabod and Abbie's side or if he has his own agenda. But that should've been predictable from how they set up his character. Either way, so far he's a welcome addition. It all depends on how they plan on executing his character for the rest of the season.

All in all, this was an okay storyline with plenty of entertaining twists on history that will bring a smile to your face. It is not the best episode of this season so far, but Season One also had a few of these down episodes. It is really a character development and a character introduction episode that doesn't necessarily forward the plot, but shows that Henry is indeed planning something. I'm sure this will tie in to the larger story that is building her. But for now, this was a nice pause in a rapid fire show.

SCORE: 7.5/10 - Entertaining twists to history, but not as strong as the previous episodes

STATUS: Continue to Watch - There's a Pied Piper in the next episode

Review of Previous Episode - Click Here

Gotham - 1x03 The Balloonman - Review

The vigilante rises

Or rather the vigilante's victims rise. When the corrupt of Gotham City are tied to weather balloons and doomed to float in the air till they eventually fall back to Earth, Gordon and Bullock are put on the case. And while the city continues to change in the coming war, Oswald Cobblepot continues to work his way up the food chain.

Already? This series is going to be dealing with vigilante justice already? Um. Okay. It is a strange form of vigilante justice. The villain of this week is a vigilante dubbed, The Balloonman. From the synopsis, it should be pretty easy why he's given that name. What is interesting is how he's pretty much the big reference of this episode. By reference I mean he dresses up like two characters from superhero lore. One of them being the most obvious for Batman fans, a Prof. Pyg reference. The Balloonman's first appearance was as the insane pig masked villain, which was meant to throw fans off as to who he is. His second appearance however was a direct reference to The Shadow, aka one of the inspirations for Bob Kane and Bill Finger, the creators of Batman. This one signals that he is definitely a vigilante and may actually be fighting on the right side. This visual character development was both simple and was used to put references in a show that seems to be full of references from the first two episodes. It was definitely a more subtle reference rather than the in your face ones for the casual Batman fans.

But this episode also solidifies to Gordon that the police know what their priorities are: if bad things happen to scum, don't act; if bad things happen to police officers, unleash hell. That was a mentality that has been hinted at in the previous two episodes, but in here it is shown in full force. Gordon is starting to realize that if anything is going to get done at the speed it is suppose to, it means that a cop has to die. That is the sad truth. And while it may be the truth, we do get some more of that awesome Gordon and Bullock buddy scenes. We get some insight on how exactly Bullock goes about getting his information. Which mainly involves beating the crap out of guys and hitting on hookers. Which in Gotham, it does seem like the only effective way of doing things. However, it is starting to seem a little bit formulaic. Don't get me wrong, procedural cop dramas are always formulaic yet still compelling. But given that this show is trying to be an overarching narrative while being a procedural at the same time, it has to find a way to hide its procedural nature. Arrow, Sleepy Hollow, and Hannibal have mastered this, but this episode seems to be the first crack of that illusion of not being procedural. And it is a shame that it has to be when Gordon and Bullock are doing their thing. They really are great to watch, but looking back it almost seems predictable. They'll fight about philosophy, they'll do things one way, they'll get attacked, they'll find the one clue that matters. I hope that's not what happens.

But what seems to be hiding the cracks of being the procedural is the subplot that actually seems to have a continuous narrative in each episode. And that is the evolution of Robin Lord Taylor's Oswald Cobblepot. He is fast becoming the star of the show. I can almost imagine the only reason why some casual fans are still watching the show are because they're actually fascinated to see how this young man will become the Penguin. Taylor is definitely going to go down as the standout actor of this series once the season finale comes. Mostly because he is the only one who seems to be forwarding his own plot. The show is obviously trying to make the murder of the Waynes the overarching story arc of season one, but given how the only mention of the murder was a small bit involving Gordon and Selina Kyle, it seems the writers haven't quite mastered making it really matter. But that is mainly because Gordon and Bullock are locked into going through the procedural plot, while Cobblepot is free to do his plot without the restraint of the procedural. His actions in this episode actually puts him closer to power because he's working at the favored restaurant of Salvatore Maroni. Batman fans will know that Maroni is Gotham Kingpin Carmine Falcone's nemesis and only rival. Cobblepot makes it clear to Maroni that he is smart enough to know what is going on, and Maroni admires that. It'll be interesting how this all plays out.

And then of course we got two more subplots that are kind of interesting but seem out of place. The first one involving Renee Montoya and Cripus Allen of Major Crimes Unit. What makes their subplot interesting is that like Cobblepot, they are not restrained to the procedural nature of the show. But what they are restrained to is the disappearance of Cobblepot. And unfortunately, that is becoming predictable as well. Allen and Montoya will find clues that connects Gordon to Cobblepot disappearance which will then lead to Montoya trying to have a lesbian moment with Barbara Keane, Gordon's fiancé. While it is predictable, it can't be denied that the interaction between Montoya and Barbara is definitely interesting and well done. I just hope there is more to it than them being former lesbian lovers. 

The final subplot of this episode is probably one that is not really needed. The Bruce and Alfred subplot. Unlike the other subplots, they don't seem to be involved with the main plot or the main narrative of the show. The story in Wayne Manor appears to be existing in this realm of. "he's going to be Batman." Which was not obvious in the pilot, and was more forward in the second. But this one seems to be really pushing it by showing Bruce's fascination with the Balloonman and pictures of his parents' murder. It suffers from a different kind of restraint. We've seen Bruce Wayne become Batman. So really, the plot of young boy Bruce Wayne does not seem to be compelling. But what I do commend is that Gordon does not give Bruce a pep talk in this episode. Smart move.

All in all, this is still an interesting and entertaining episode. But at the same time it seems to be very procedural. However it is definitely a lot better than what is going on in The Strain but seems to fail doing what Sleepy Hollow excels at. Embracing the craziness. And while this show seems to walk a thine line between gritty and comic booky, they have to decide which one should it fully embrace.

SCORE: 7.9/10 - Cobblepot's story is the reason to keep watching

STATUS: Continue to Watch - It has me hooked enough to see the next one

Review of Previous Episode - Click Here 
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Sleepy Hollow - 2x02 The Kindred - Review

Let's save Katrina

After escaping purgatory and putting a halt on The Horseman of War's plans, Ichabod and Abbie now set their sights on saving Katrina from the clutches of the Headless Horseman. 

This episode begins once again with a misleading opening. But unlike the season opener, this one didn't last for 15 minutes worth of runtime. But in that opener, or vision if you want to use the proper term, Ichabod witnesses Van Brunt's (the Headless Horseman) plan to make Katrina his bride permanently. A ritual performed by Ichabod's son, Henry (the Horseman of War), which requires Katrina to lose her head. This show just keeps getting weirder and weirder. And if you've made it this far with the show, then you know you love it. This realigns Ichabod's priorities by having rescuing his wife front and center as the main drive. It is really amazing how the show's writer's move through the plot so quickly by handling things in rapid time. Last episode we groaned at Katrina being captured, this episode she's going to be rescued. See, rapid time. The Strain could learn a thing or two about that.

But of course their plot to save Katrina needs to be burdened by someone. Enter the new Sheriff in town, Leena Reyes, played by Sakina Jaffrey. She immediately makes it know to Abbie that there are things that need to be changed in Sleepy Hollow. Sheriff Reyes also makes a declaration of bringing back sanity to Sleepy Hollow. A declaration that fans know we all laughed at once she said it. While it is obvious the show needed to once again have another lawful problem on their hands given that former Captain Frank Irving (Orlando Jones) is being held in prison to take the blame for a demon's actions, I hope she doesn't stay an obstacle for too long. She's suppose to be an annoying character. Not annoying as in her character is to be annoying, but rather her by the book actions are an annoyance. Especially when she prevents Jenny from joining all the fun when she gets caught taking weapons from the armory. I'm sure the writers know that the audience loves it when these characters finally meet the supernatural, and I hope they do it in the next two episodes. But I have a feeling this one will be dragged out longer than it should. Oh well, someone has to be the party pooper.

But to the main plot. Ichabod plans on using one of Benjamin Franklin's weapon as a means to get Katrina. That weapon? A being called The Kindred which is composed of dead body parts from soldiers during the Revolutionary War. Yup. This show just made Benjamin Franklin the Frankenstein of the series... I love this show. But in order to use The Kindred, they require the head of The Headless Horseman. In other words, they're really creating a monster. Abbie is obviously not please about this, but seeing Ichabod's desperation of not willing to accept losing his wife twice meant that she has no other choice to comply. That compliance leads Abbie to see Captain Irving in prison who gives them access to his vault in a local bank, housing the Horseman's head. Which by the way, at the bank, led to one of those Ichabod moments we all love so much. 

But what is going on with Katrina right now? She knows what Van Brunt plans on doing to her. She knows that Ichabod will stop at nothing to get her. Hell, he's using his former best friend's head to create a weapon to fight his former best friend's body. That is the definition of love right there. But Van Brunt does bring up a really good point to Katrina. Why did he save Abbie from purgatory instead of saving her? Why did she not seem to be his number one priority? Again, the writers know what the fans are thinking and are acknowledging it very quickly. And planting seeds of doubt might actually be good for Katrina's character. It could potentially take her down some dark places, and she may even get to do a lot more than just be a damsel in distress. This becomes evident by how she delays her ritual marriage beheading by telling Van Brunt that only if she falls for him again will it work, and that she's working her way there. So that puts her on the Headless Horseman's good side, right at the exact moment that Ichabod, Abbie and The Kindred make their attack. And I'll just add that the three way monster fight between The Kindred, The Headless Horseman and War's Knight was awesome! 

However it was a pointless endeavor as Katrina decides to stay where she is. WHAT?!?! Her reasoning, because like Ichabod, Van Brunt will do whatever it takes to have her again. And given he's not just a Headless Horseman but the Horseman of Death, that sounds a lot worse than Ichabod's Frankenstein experiment. But she stays so that she can be a spy and filter information to Ichabod as she did learn that Moloch is finding another way out and is not pleased with Henry. I can't help but think that part of this is to stop Moloch but also the other reason being that little seed that Van Brunt planted in Katrina's head: Why did Ichabod save Abbie first? So now, Ichabod and Abbie feel as if their efforts was partially a waste. But it does offer something interesting for Katrina to do in the present, when all of her previously interesting scenes were in the flashbacks. Only time will tell if this gamble will pay off. And given this show's pacing and speeding through the plot, I doubt it will.

On an interesting note...what did happen to The Kindred after they all retreated? He'll be back. I'm sure of it.

SCORE: 8.9/10 - While it seems pointless, it will benefit the heroes for some time

STATUS: Continue to Watch - Like I wasn't going to?

Review of Previous Episode - CLICK HERE

Gotham - 1x02 Selina Kyle - Review

Her name is "Cat"

When homeless children are being abducted by a pair of eccentric kidnappers, Gordon and Bullock are put on the case.

That is pretty much the basis of this episode. Then what does this have to do with Selina Kyle aka the girl who will become Catwoman? Well, she is one of those homeless children who is being abducted. But unlike the other homeless street kids, she's smart enough to know that when two really cartoonish eccentric people walk up to you and offer you food, they're not to be trusted. Also given her cat like reflexes and extremely efficient parkour skills, she's able to get away. Other than being considered a witness to these crimes, she's not really as important as the story makes it out to be.

This is mainly because of the efficiency of Gordon and Bullock as detectives. The chemistry between Ben MacKenzie and Donal Logue is definitely the anchor of this show. It continues to show their growing partnership as well as their clash of ideologies. This is evident when Gordon is against Bullock beating up a child to get information, but would later allow Bullock to beat up a suspect (with a phone book) repeatedly after discovering the horrifying truth about what happens to the kids. It is really obvious that while they won't get one to fully "see the light" to their point of view, they can't work well without each other. Which again, shows how efficient they are by solving where the two eccentric cartoon villains were getting their drugs from.

But let's talk about those two eccentric cartoon villains for a moment. Doug and Patti played by guest stars Frank Whaley and Lili Taylor are the really cartoonish cohorts of the mysterious Dollmaker. Yup, another Batman reference. At least in this one he's only mentioned in name only and we never see him. But again, back to these two cartoon characters. The reason why I say cartoon is because for some reason they were directed to really ham it up. Their performances were definitely eccentric and delightful... the kind of performance you'd see in a Joel Schumacher Batman movie. Which is strange, because the pilot establishes the show's tone and look as a strange hybrid between the Tim Burton films and the Chris Nolan films. Now, a Schumacher reference is fine as after all it was the Burton films that led to the Schumacher ones, but for some reason their cartoonish villainy seemed a little too far. To give a comparison level of what seems fine about being a cartoon villain in this show is looking at two of the main players.

Fish Mooney played by Jada Pinkett Smith is both a very serious threat while at the same time an obvious cartoon villain. Yet there is something slightly more subdued about her that makes it slightly tolerable while at the same time still reminding you this is a comic book villain. Then of course there is Robin Lord Taylor as Oswald Cobblepot aka the man who will be Penguin. He is definitely a cartoon villain, but again it is subdued. This is a testament to what a scene stealer Robin Lord Taylor is as he is slowly going crazy while at the same time growing more calculating as a criminal mastermind. A glimpse of his mother in this episode also kind of explains where the crazy comes from, which is also a little cartoony, but again not played as cartoony as our guest star villains. When a level of how far cartoon villainy should be taken is already established, all guest villains should adhere to that feeling. We'll see how this goes with other villains that are sure to be on the show, right now it doesn't seem good.

What else is there to talk about? Oh yeah, Bruce Wayne and Alfred. Sean Pertwee portrays an Alfred who seems to have not broken out of his military roots and into the more loving father figure we all know and love. This is shown from how incapable he is at handling Bruce's tendencies to self inflict pain. Alfred seems to be at a lost of how to deal with his new position as a father figure, which means once again Gordon has to step in to be the surrogate father until Alfred can grow to become the surrogate. This might get annoying as the show is better focused on Gordon, Bullock and Cobblepot rather than Bruce and Alfred. But still, as this show is still young there is room to grow.

But what about the title character? Selina Kyle? I did state that she's not that important. Well, she's not important to the plot of this episode, but she does make herself important to the overarching plot of this season which is the murder of the Waynes. Camren Bicondova shows herself as a competent actress as she excels with playing someone who will definitely turn into the seductive cat burglar fans love. Particularly a key scene in which she deals with one of the kidnappers that shows just how vicious she really is. It is a shame that she doesn't really become important till the end of the episode, but with what she has shown, she is definitely worthy of being called Selina Kyle. It's just unfortunate that for an episode bearing the character's name, didn't seem to serve her to her full potential. We shall see how this all plays out.

SCORE: 7.5/10 - It is not a bad episode, still entertaining, just poorly constructed
STATUS: Continue to Watch - There is still a lot of potential

Review of Previous Episode - CLICK HERE
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Sleepy Hollow - 2x01 This is War - Review

It has begun...for real this time...I think

One year after the events of the last season finale, Ichabod Crane (Tom Mison) and Abigail Mills (Nicole Beharie) celebrate Ichabod's birthday. However Abigail's attempt of teaching Ichabod the modern way to celebrate one's birthday gets cut short when they discover the Headless Horseman is looking for a key. The key of Benjamin Franklin. In order to find out what he wants with the key, they must consult the captured Horseman of War: Ichabod's son, Jeremy Crane (John Noble).

Okay. That is not really what happens in this episode. But it was a brilliant way to start off. The show notorious for being outrageously ridiculous with plenty of "what the f%#^" moments and "just go with it" moments pulls a big "what the f#%@" opening. The time jump scared me a little. It probably scared everyone. But as we all know. It can't be as simple as that. There is no way they would expect the fans to accept that they decided to skip one year later to a time where Katrina (Katia Winter) and Jennifer (Lyndie Greenwood) are dead. However it is this time jump fake out that makes this show special, and it was smart of them not to have the entire episode dedicated to this fake out.

The time jump was an illusion created by Ichabod's son, the now revealed evil Jeremy Crane played menacingly by John Noble. After the HOLY SHIT reveal of him being Ichabod's son, because honestly the only thing fans would've seen coming is him being a horseman, it is nice to know that John Noble is here to stay. And he makes his stay known by pulling off this grand illusion on not just Ichabod and Abbie but on the viewing audience. That act immediately lets us know what kind of monster the Horseman of War is, and it definitely is a welcoming villain seeing as how the Headless Horseman could've gotten tiring as the solo villain. But it is clear that Jeremy is a definite threat, because with that act he now knows the location to a key. The key used by Benjamin Franklin in his famous experiment involving a kite. And since this is Sleepy Hollow, that experiment was not in the name of science.

No, as Ichabod knows, being Franklin's reluctant student, the key was meant for something else. But in order to stop his demonic son from getting the key, he must first get out of his predicament. Mainly being buried six feet under inside a makeshift coffin with vines restraining him. How he's able to do so is rather comical. Especially a moment when he uses his cellphone to record a final message just in case his plan fails. It has to be seen to be accepted. Because if I were to write about it, it would sound stupid. So trust me. Crazy things happen. I'll let you the viewer see for yourself.

Jenny wakes up as Jeremy's captive and uses her to find the location of this key. Luckily for all of them, even though she has a clue to where it is, she doesn't know the exact place. Luckily, again, for her, Ichabod is able to come to the rescue, after she takes out most of the Hessian guards working for Jeremy. The two of them team up in order to find the key. The key that could be the only thing that can get Abbie Mills out of where she was last seen: in purgatory.

Meanwhile Katrina is not doing so good. Once again she's a captive, but this time not one who can roam about freely like she did in purgatory. No, this time she's tied to a chair in a cabin somewhere. And in that cabin is the Headless Horseman. Also known as Bram Van Brunt, her former fiancé. Her situation in purgatory seemed more pleasant than being tied up to a chair with her headless former fiancé creepily trying to court her once again. Of course she tries to get away, but I feel bad for her having to be a real damsel in distress once again.

This episode has everything that Sleepy Hollow fans want: Incredible action, Off the wall moments, Lovable characters and Brilliant Ichabod moments. This was a brilliant, intense, and funny way to start off the season. This show continues to grow better and better. It'll be interesting to see how this season can possibly top the last. But I'll let you know right now. I'm definitely in for the ride. Especially with that final moment of revealing War's True Form. Consider me in!

SCORE: 9/10 - The craziest way to start the season. And let's hope it stays crazy.

STATUS - DEFINITELY CONTINUE TO WATCH

Review of Next Episode - CLICK HERE

Gotham - 1x01 Pilot - Review

Everyone Begins

That can pretty much sum up this first episode of FOX's new series, GOTHAM. After Thomas and Martha Wayne are murdered in front of their son Bruce (David Mazouz), Detective Harvey Bullock (Donal Logue) and his new partner Jim Gordon (Ben MacKenzie) go on the hunt for the killer.

The average fan of Batman knows where this event will lead. The death of Bruce Wayne's parents is the pivotal moment that will change the course of Gotham's destiny. It is kind of fitting that we begin this series with that murder. Yet at the same time... I could've done without it. The murder of Bruce's parents has been filmed in far more effective ways in Tim Burton and Joel Schumacher's Batman movies as these strange vivid memories while Christopher Nolan showed us the real hard hitting drama in Batman Begins. However this show failed to do what the others did: make us care about their deaths. Thought arguably it is a more realistic approach of how a murder would go down, because of what has come before, it comes off as an unfitting intro into this world. Sure we've seen it lots of times, but each time has been different. This one didn't.

But then again, Bruce is not the main character of this story. New Detective Jim Gordon is. And he is not exactly a well liked new arrival in Gotham PD. Ben MacKenzie has huge shoes to fill taking on the iconic role, but this is a world he's familiar with. First of all, he was a police officer in the gritty and fantastic show Southland. So he knows how to be a police officer, especially one who has just been promoted to detective. And he was also the voice of Batman in the animated movie, Batman: Year One. So he knows Gotham and he knows that he's now entered the world a second time. And as of right now, he delivers on convincing us this is the man who will become the future Commissioner of Gotham. His performance was strong and it shows from the internal conflict boiling inside him. But he is nothing compared to his partner.

Donal Logue takes on the role of Harvey Bullock, a fan favorite from the comics and animated shows who has never been brought to the live action medium. Expectations for him were not as high as Ben's performance as Gordon, but that doesn't mean he won't deliver. There is a pressure of playing someone who has never been portrayed in a live action format before, and Logue has even stated how honored it is to be the first. And he made sure that if anyone was to follow him in the future, he's going to give them a hard time doing so. Logue is the standout of this show. The scenes with Bullock are intense and blurs the lines between right and wrong. He's the perfect foil for Gordon, as he is not afraid of doing what has to be done. He even berates Gordon for not killing a prisoner who threatened a cop. This man is dirty, but that doesn't mean he's completely corrupt. There is still a good man there, it's just hard to find.

These two are tasked with finding out who killed the Waynes, a case that Bullock did not want to take. Unfortunately for him, Gordon drags him into accepting the case. The fact that Bullock is afraid of dealing with the death of the Waynes shows that he knows things. Like what to avoid and who to talk to. Like Fish Mooney, a new character played by Jada Pinkett Smith. When we first meet her, she comes off as a cliched comic book villain, but as the show progresses that comic book nature begins to subdue for something more subtle and cunning. She apparently had information involving the murder of the Waynes, which helps Bullock and Gordon find the killer. But as this is Gotham, nothing can be solved that easily.

One of the main concerns that people had about this show was the cramming of so many Batman villains into one episode. I should say this right now that the only one who really gets the spotlight in this episode is Oswald Cobblepot, The Penguin, played brilliantly by Robin Lord Taylor. If it wasn't for Logue's performance as Bullock, Taylor would be the standout as Cobblepot. That shouldn't diminish the fact that he does an excellent job as the small fry who dreams of big things. Then of course there is a non speaking appearance of Selina Kyle played Carmen Bicondova. She's only in the intro and the end of the episode as she serves as an unknown witness to the murder of the Waynes. That's all she does, but Bicondova has the cat qualities down to a tee. There is also a small appearance by the girl who would become Poison Ivy, but it was a small one. But probably the smallest cameo of a comic book character, yet the most memorable, was of Edward Nigma played by Cory Michael Smith. If he can make an impression with just one scene, how much more if we get a lot more of him? Time will tell.

Other players are introduced in this episode, such as Barbara Keane played by Erin Richards and Renee Montoya played by Victoria Cartagena. If there is something I have to say about Barbara, aka future Mrs. Gordon, is that she momentarily took me out of the show. Her actress, Richards, is extremely stunningly beautiful. Almost too beautiful and looks almost too young for MacKenzie's Gordon. I know this is suppose to be the younger years of these comic book icons, but something about Barbara being way too beautiful and sexy irked me. Its weird that I'm complaining about someone being too sexy, but that's a compliment to Erin Richards who does great with her role. I just never imagined the role to belong to someone as beautiful as her. 

All in all, this was an introductory episode for not only the character but the way the city operates. All comic book characters were handled nicely and given the amount of time that is needed for them in this episode. So no it wasn't cramped, and its a good thing it can juggle so many to feel like a true ensemble. But this is the story of Gordon and Bullock. Gordon sees now that nothing is easy and that everything in the city is filled with lies. While we see he is a man who genuinely wants to change the city, we also know that he won't be able to do so. But his mission to change it will definitely influence one person: Bruce Wayne.

SCORE: 8.5/10 - A weak start with a masterful finish that makes the whole episode great

STATUS: Two Episode Countdown - If I can like the first three episodes, then this show is in good hands