Mission: Impossible - Rogue Nation - Review

It's official everyone...

Tom Cruise is completely insane... AND I FREAKING LOVE IT!

The Plot

After amassing a record of "wanton acts of mayhem" over the years, CIA Director Hunley motions for the dissolving of the Impossible Missions Force and have their assets absorbed into the CIA. As IMF Analyst, Brandt (Jeremy Renner), tries to stop Hunley, IMF Agent Ethan Hunt (Tom Cruise) finds himself targeted by a shadowy organization called The Syndicate, led by the even more mysterious Solomon Lane (Sean Harris). To prove that the IMF is still a viable force for good, Ethan makes it his mission to prove the existence of The Sydnicate while being the number one rogue fugitive on the CIA's list. He'll need help from Benji (Simon Pegg), Brandt, Luther (Ving Rhames) and the mysterious Ilsa Faust (Rebecca Ferguson) in the ultimate cat and mouse game against an enemy that has been secretly causing them trouble for years.

Review

Once the now infamous "Tom Cruise is strapped to the side of a plane" scene takes off at the very BEGINNING of the movie... I suddenly had no idea what I was in for. Usually a scene like that would've taken place in the middle or at the end of the movie. But no, the infamous scene is what starts this movie off with a bang. It is a shot of adrenaline that prepares the audience for the insane ride that will follow. And if you believe nothing in this film can top that opening scene, then you'll be pleasantly surprised.

I have to give a lot of credit to director and writer Christopher McQuarrie. Mainly because for the first time, I believe he's the director who completely nailed what this franchise is suppose to be. Him and his co-writer, Drew Pearce, took all the best parts from the Mission franchise along with an examination of how summer blockbusters are suppose to operate and doesn't try to reinvent the formula but resuscitates it into something that can truly breathe. The concept of having the big money shot at the beginning of the movie was done to ensure that audiences will no longer be waiting for it to happen, but instead be focused on the movie and its story. It is a brilliant move that just elevates this film above its predecessors and its peers.

But one thing that definitely makes this movie stand above its peers is the utilization of the action within the story. Usually action happens for the sake of action. But good action is used to accelerate the plot. And in this film, every single action scene was warranted for the sake of progressing the plot further as well as developing character motivations. All of them, from Hunt's first fight with the Syndicate to the Opera House battle to the underwater scene that escalates to a car chase that then escalates into a motorcycle chase all keep building momentum towards the finale which has surprisingly not been spoiled in any of the trailers or commercials. Which makes the third act of the film even more impactful in that everything that has been used to promote the film has been from the beginning and middle, but never the end.

Tom Cruise proves that he is still in peak physical condition at 50, and is probably THE action star of this current generation. His charisma and dedication to this franchise continues to shine with incredible results. And thankfully his team behind the camera has finally found out who Ethan Hunt is suppose to be. He is not James Bond, which they tried to make him like in the second film, but a team leader who prioritizes the safety of his team first over himself. That combined with making him someone who can get hurt is what makes him such a compelling character. And thankfully he is surrounded by equally compelling teammates, with one literally outshining him.

Simon Pegg, Jeremy Renner and Ving Rhames return as Benji, Brandt and Luther: Hunt's loyal friends. What truly makes them standout is how they're all utilized in the story at the most appropriate times. Pegg's Benji may have the most screen time of the three, and the most comic relief, but Pegg continues to prove that he is more than just a comedy actor. He is well rounded and looks right at home standing side by side with the likes of action men such as Cruise, Renner and Rhames. Speaking of the latter two, both of them are more utilized in a subplot that doesn't collide with the main plot of the movie till the third act, but Renner and Rhames were still utilized efficiently for the story. However, there is one person who is not a returning veteran, but a newcomer into the franchise.

Rebecca Ferguson will soon be the talk of the town, as her performance as Syndicate Agent (or is she?) Ilsa Faust is the biggest standout of the film. I always get irked by women who get cast as Bond Girls in James Bond films claiming they're "not your typical Bond Girl," then wind up being the typical Bond Girl with a little more to do. Thankfully in the Mission: Impossible franchise, there is no "Mission Impossible Girl." But if there had to be one to define that term, it would be Ferguson's Ilsa. She is probably the most well written ambiguous female spy character in a Hollywood blockbuster film while being extremely sexy and extremely efficient. What makes her so incredible is that you could easily take out Ethan Hunt and all the Mission Impossible characters, and still have an incredible spy film with her as the lead. She is so good that I hope she breaks the norm of female agents in previous Mission films never returning in the next one, because I want more of this incredible villainous/heroic (?) character.

But what about The Syndicate? The "Rogue Nation" of the title? What about their mysterious leader, Solomon Lane played by Sean Harris? Well, to put it simply, they are the best antagonists for the franchise so far. In fact, I believe them to be better than SPECTRE in the old Sean Connery Bond films. They are essentially a reboot of the IMF's original nemesis from the TV show (yes if you didn't know, Mission: Impossible is based on an old TV Show), and they are rebooted in the best possible way. Here, they are actually a legitimate threat as a completely evil incarnation of the IMF. Credit definitely has to go to Harris for his portrayal of Solomon Lane, who is believably more cunning and frightening than any villain in the Mission: Impossible franchise. The only downside I can come up with for him, as well as the whole movie, was wishing Lane was in the movie more, but again the amount of time he was present was utilized perfectly.

Final Thoughts

If you haven't figured it out yet, I really loved this movie. LOVE IT! And the more I think about it, the more I like it. And if you happen to be a fan of the original 60s TV Show, and have gotten bitter because the movies are nothing like the show, then this is the movie you've been waiting for because it finally has the elements of the TV show the original fans loved. Mainly the mind game aspect that is the real conflict between Hunt and Lane. There are callbacks to previous films as well as a complete reinvigoration of what a blockbuster should be. I'm hoping for the success of this movie, because it proves that you don't need Superheroes to make a good blockbuster anymore. Furious 7, Mad Max Fury Road and Jurassic World proved that. But this film proves it even more.

SCORE: 9.5/10 - The best Summer Blockbuster of the "Year of the Spy" so far

2015 - The Year of the Spy

It's not the "Age of Ultron," it's the "AGE OF SPIES"

Did anyone notice this? No? Yes? Well I did. And for me. I think this is great! I'm sure there have been other years were a large number of spy movies have come out within the same time frame or year. But this one stands out because not since the days the Connery Bonds did Hollywood pump out this many big budget Spy Movies. Especially during an era that is dominated by Marvel Superheroes.

There is just something refreshing of having the Spy movie get a new resurgence in the public eye. And it feels highly appropriate that the first two films to kick off the Spy year are two spy comedies. The first one being more of a love letter to the classic spy genre and the other being a straight up comedy in a spy setting. And both of them are original films too. Well... Kingsman is based on a comic, but it wasn't an existing IP in film. This may be a strange way of setting things off, but it is definitely the smart move. Especially for the brilliant Kingsman, which is appropriately the first film of the era, as the film that it is both parodying and tributing is the last spy film to premier this year. And apparently Melissa McCarthy's re-team up with future Ghostbusters director, Paul Feig, is a good time, and is more about a fish out of water trying to play with the big leagues. A nice counter balance to all these seasoned veterans.

It is also interesting that this is the year that James Bond and the Impossible Missions Force are both in the mix. Not only that, with the revelation of Mission: Impossible's title, they both deal with their respective franchise villains returning. Yes, after a rights dispute, Daniel Craig's Bond gets to face off the very definition of Evil Organization in film: SPECTRE. While on the Cruise Train, the Impossible Missions Force gets to face off against their old rivals from Season Five of the original 60s-70s TV show. Yes, if you didn't know, Mission: Impossible is a loose continuation of a 60s TV show. And in the Fifth Season of that show, they went up against a rival organization called The Syndicate. However, they were nowhere near as close to SPECTRE in the evil organization department. But if the title Rogue Nation is any indicator (and a better name than Syndicate) of what they plan to do with The Syndicate, then they'll definitely be evolving as a competitor with SPECTRE for world domination.

But not to let the subject of 60s and 70s era TV shows go away, there is also Guy Ritchie's remake of The Man from UNCLE. Henry Cavill, an English actor, is playing American CIA Agent Napoleon Solo, while Armie Hammer, an American actor, is playing Russian KGB Agent Ilya Kuryakin. Yeah...Hollywood casting logic. But I think there is a lot of irony here, as Cavill always wanted to play James Bond but winds up playing an American spy who is created by Ian Fleming, the author of the 007 novels. Director Guy Ritchie also chose to keep the 60s Cold War setting intact, instead of trying to modernize it. This gives it a nice throwback feel that is more akin to Kingsman, which was a throwback in sense of style but not setting. Time will tell if this obvious franchise starter can indeed hold an audience. Judging by Ritchie's Sherlock Holmes films, it is possible. But that may be because of RDJ, than for his directing.

What is shaky ground however, is Hitman: AGENT 47. While not a straight up spy movie, it definitely has spy elements ranging from crazy missions, crazy gadgets, to incredibly hot barely dressed women. But being a video game adaptation, and a second attempt at that, there is that lingering curse that video game movies are just pure shit. However this film appears to be taking a cue from Hitman: Absolution, which is a game that made Stealth an option, but if one wanted to go gun ho they could. Plus, it feels like it isn't taking itself as seriously as the previous outing with Timothy Olyphant, so there may be a chance it can be a lot more fun to watch. And it's always cool to see Zachary Quinto try something out of his comfort zone: an action movie.

In closing, this is pretty much looking like a great year for spy movies. I think the only thing that's missing from this list is Captain America: The Winter Soldier. But it already came out last year so... that's a shame.